#GENE STARWIND QUOTES SERIES#

Outlaw StarвЂs early episodes can be seen as GeneвЂ™s coming-of-age.

He is beholden to nobody but himself and his own values, which is very much unlike a man within a corporate structure. Most of all, I think he has the sort of individuality that is probably diametrically opposed to someone like the salaryman. HeвЂ™s brash, heвЂ™s covered in scars, heвЂ™s a womanizer and a smooth-talker, he exudes confidence, etc. Rather, Gene embodies that Other on the fringe of society, eeking out his existence through his own means rather than being subservient to some larger entity. HeвЂ™s also far removed from the sensitive high school tryhards of our current generation of anime protagonists. In fact, he has no uniform he is uniquely himself. Outlaw StarвЂs Gene Starwind is not the type of hero that fades into his uniform when the going gets tough.

#GENE STARWIND QUOTES SERIES#

More importantly, I think, these series also tended to focus on - at the time - an atypical anime protagonist. In any case, Outlaw Star is just one of a handful of late 90s anime series with the frontiers of space as a backdrop. Having said that, I personally think the historical context of any story provides good food for thought, though it need not necessarily decide the entire meaning of the text. Great, another boring history lesson, right? In the end, what does all of this mean? Your guess is as good as mine. Economic success had bestowed upon the salaryman an air of superiority, especially when it came to normative values. The 90s would soon be referred to as the infamous вЂњLost Decade,вЂќ a time when young people could no longer rely on finding a cushy white collar job right out of college. Unfortunately, the bubble collapsed in 1991. typically a conservative suit and briefcase, the salaryman aesthetic eventually bled over to popular culture, spawning the likes of the Super Sentai. With this rise of global economic power, so too did the heroic values begin to coalesce around what appeared to be the driving force behind JapanвЂ™s success: the salaryman. Films like Gung Ho, for instance, captured a certain sense of cultural unease in the US as JapanвЂ™s car industry continued to dominate the market. At times, this astonishment manifested as a latent fear. The rest of world marveled at how the small island nation was beginning to rival the West.

JapanвЂ™s economy quickly rose to prominence at the start of the 60s and this continued all the way through the 80s. Well, with twelve years between us and the 90s, what are we to make of that decade? WeвЂ™ve always viewed the past within the context of the corporate 80s, the kitschy 70s, the social upheavals of the 60s, so on and so forth. To some extent, it is a little astonishing to some of us that 1998 is actually more than a decade ago. The original run for the manga began in 1996, and the first episode of the anime adaptation soon followed just a mere two years later. Luckily, Outlaw Star is not that far removed from our present day that it would require us to jump through a number of mental hoops in order for us to accept the series at face value. Nevertheless, if we are to be honest, slavery is obviously abhorrent. For instance, should we criticize a novel from the American 1850s for its apparent endorsement of, say, slavery? Surely enough, the values of the time likely saw slavery as simply another means to a functioning society. Whenever we read an old book or watch an old movie, thereвЂ™s always that tricky desire to strike a balance between reacting honestly to the вЂtextвЂ™ - used broadly here to convey the вЂњmeat вЂn potatoesвЂќ of any given work of art - and analyzing the work by pretending to adopt the viewpoint(s) from which the work of art was created.

Gene starwind quotes